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Promo Video For Some Of My Orchestral Trailer Music

Dramatic trailer music for film, TV & video from composer Simon Wilkinson

Here’s a promo video featuring a short collection of clips from some of my orchestral trailer music. All the tracks are available to download and license directly from my shop for use in your own trailers, films and Youtube videos. From 30 second intros to full length epic and dramatic pieces, the tracks featured in this video are listed below:

Bloodstorm:
http://www.thebluemask.com/bloodstorm/

Zahara:
http://www.thebluemask.com/zahara/

Kill The King:
http://www.thebluemask.com/kill-the-king/

Aeternus:
http://www.thebluemask.com/aeternus/

Attack Of The Machines:
http://www.thebluemask.com/attack-of-the-machines/

Titan:
http://www.thebluemask.com/titan/

Excelsior:
http://www.thebluemask.com/excelsior/

Or check out more of my orchestral music here:
http://www.thebluemask.com/music/all-tracks/orchestral/

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Screen Horror Film For Release On Vimeo On Demand

TRAILER FOR "SCREEN"

Screen is a great looking new horror film from David Paul Baker which features some of my music and is due for imminent release on Vimeo On Demand. The film is about a group of horror fans who are found dead in front of an old drive-in screen. We go back 24 hours to follow two of the characters from this group who discover people died at the drive-in back in the 70s and the screen is haunted… The movie was shot between Tulsa and Cleveland, Oklahoma and bristles with a style reminiscent of horror movies like Texas Chainsaw Massacre and Halloween mixed with a classic grindhouse feel.

“Simultaneously reminiscent of Grindhouse Exploitation films and the new and old waves of “found footage” flicks, and with an opening newsreel sequence, and that kind of foreboding, Tubular Bells-ish music that just isn’t used in movies often enough anymore, SCREEN, directed by David Paul Baker is low-budget, self-sufficient Indie gold at it’s very best.”

Yell Magazine

Screen horror film with music by Simon WilkinsonThe film featuring my music will be released on Vimeo On Demand on the 15th December and you can watch a trailer from the movie above, or sign up to the movie’s mailing list for updates here.

Writer/producer/director David Paul Baker has a lot of other film ideas in the pipeline including City Of Sin, a branded hub destination for features and shorts under one umbrella.

You can follow news about Screen, City Of Sin and David’s other movie and short film projects at the following links:

http://www.screenfilm.co.uk

http://www.cityofsinworld.com

http://www.davidpbaker.co.uk

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Promo Video For Royalty Free Music Collection Vol.4: Dramas & Thrillers

Royalty Free Music For Film & Documentary Vol.4: Dramas & Thrillers (promo video) by Simon Wilkinson

Here’s a promo video for my Royalty Free music collection Volume 4: Dramas & Thrillers. This 11 track (45 minute) collection of music is aimed at film and documentary makers looking for dark and atmospheric music for their dramas and thrillers.

The music styles include tense and dramatic fight music, eerie piano, atmospheric ambient soundscapes, dark pulsing electronica and more emotional and dramatic music. Once you buy any of my royalty free collections, you can then keep on using the music in all your films, videos and trailers without having to pay again.

There are currently 7 volumes of royalty free music available in my shop with more coming in the future. Get volume 4 here:

http://www.thebluemask.com/film-and-documentary-music-vol-4-dramas-and-thrillers/

Or buy the whole collection and get a 30% discount on the entire collection:

http://www.thebluemask.com/30-discount-off-complete-royalty-free-music-collections/

We’re On A Mission

We're On A Mission by Simon Wilkinson

Fun and funky chase music. Fast electric wah-wah guitar picking, stabbing funky keyboards, bobbing bass guitar and tight drums. Perfect instrumental background music for fast and lighthearted chase scenes with an upbeat feel. Think Blues Brothers car chases, zany 70s movies or redneck bar fight scenes!

Lighthearted, fun and funky guitar instrumental ideal for chase sequences, bar-room brawls and fast action videos with a tongue-in-cheek comedic feel. Upbeat and funky chicken-pickin’ guitar music available to license for your films, videos and trailers by selecting from the options above.

Comes in a full length version (2:08) plus a 30 second edit (both versions included in the price).


This mp3 track is also available from these websites and online stores but if you want to use the music in your video you’ll need a license which is only available here at thebluemask.com:

Also available from amazon.comAlso available on iTunesAlso available on Spotify

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Books For Film Music Composers

I’ve found the following books for film music composers to be very useful when working with writing music to picture and generally getting set up for working with production music. They also serve as good tutorials for general music production & theory and offer advice about promoting and selling your music to film producers and getting your music placed in film & TV productions:

This Is Your Brain On Music
This Is Your Brain On Music
Daniel J. Levitin
A fascinating book that looks into the science of how we’re emotionally affected by music. The author is an experienced sound engineer, music and neuroscientist and brings his experience to rationalise and explain some of the mechanics of why we love to hear certain songs. Excellent reading for anyone with a love of music.

 

Music for New Media: Composing for Videogames, Web Sites, Presentations and Other Interactive Media
Music For New Media: Composing For Videogames, Web Sites, Presentations And Other Interactive Media
Paul Hoffert
Learn to: score videogames, develop music for different characters, address the standard types of scenes and cues and formats required by game publishers; develop music for web sites, use sound technologies with mobile devices to create ringtones and other sounds; create demos and portfolios for getting clients.

 

Cash Tracks: Compose, Produce, and Sell Your Original Soundtrack Music and Jingles
Cash Tracks: Compose, Produce, And Sell Your Original Soundtrack Music And Jingles
Jeffrey P. Fisher
Learn everything you need to know to make jingles and score video productions with this new, updated second edition of this popular book. Prepare and present your demo recordings, work with clients, craft profit-producing copy, promote your work, protect yourself legally, get the money you deserve and more.

 

How to Get Your Music in Film & TV
How To Get Your Music In Film & TV
Richard Jay
Tips and advice on getting your music placed in film soundtracks and on TV shows from independent musician and composer Richard Jay. A detailed look at how musicians, songwriters, publishers, and indie labels—producing every kind of music—can earn good money from placing their music into film and TV in the United States and beyond.

 

The Score: Interviews with Film Composers
The Score: Interviews With Film Composers
Michael Schelle
A collection of in-depth conversations with contemporary film composers of every style, background, and position in Hollywood’s hierarchy, offering a cross-section of current thoughts about the process of film composing, styles of film music, and working within today’s entertainment industry. Great interviews from film composers including Thomas Newman, James Newton Howard, Howard Shore, John Barry and many more.

 

From Score to Screen: Sequencers, Scores & Second Thoughts-The New Film Scoring Process
From Score To Screen: Sequencers, Scores & Second Thoughts – The New Film Scoring Process
Sonny Kompanek
With the advent of MIDI sequencers, high quality sample libraries and low-cost recording gear, just about any composer anywhere can score a film. Well-known composer Sonny Kompanek teaches this new film scoring process at the prestigious New York University and now he shares his secrets with the pages of From Score to Screen.

 

The Guide to MIDI Orchestration 4e
The Guide To MIDI Orchestration 4e
Paul Gilreath
An essential book for anyone working with MIDI orchestration. With detailed methods of scoring for all sections from strings through to percussion. Aimed directly at users of libraries such as East West/GPO/Vienna and other major packages but also wide enough to cover all approaches to orchestral MIDI arrangement. Essential for beginners through to pros.

 

Complete Guide to Film Scoring: The Art and Business of Writing Music for Movies and TV
Complete Guide To Film Scoring: The Art And Business Of Writing Music For Movies And TV
Richard Davis
I’ve found this to be a useful guide for any composer interested in learning the standard requirements for scoring to picture, eg basic film history, spotting, preparation etc (although quite US-centric). Also includes interviews with composers Danny Elfman, Elliot Goldenthal, Mark Isham, Alan Silvestri and many more.

 

Orchestration by Cecil Forsyth
Orchestration
Cecil Forsyth
Originally written in 1913, the book focuses on traditional approaches to writing for orchestra. Although not perhaps as relevant to more contemporary approaches to scoring, there is a huge amount of useful information on the different orchestral sections and is an extremely useful text for film scorers.

 

The Study of Orchestration (Third Edition)
The Study Of Orchestration (Third Edition)
Samuel Adler
Offers a wealth of material for music students to create a full orchestral score by choosing the appropriate instruments, instrumental combinations and instrumental techniques.

 

Hegira

Hegira by Simon Wilkinson

Hegira follows on from 2018’s ambient release Stateless as the fifth album of ambient space music from musician and composer Simon Wilkinson. The 3 longform tracks form an 80 minute collection of deep space drones and atmospheric soundscapes.

A Softer Indication [Space Ambient Music] by Simon Wilkinson

An immersive and absorbing journey of atmospheric drones and detailed worlds of sound.

Deep atmospheric soundscapes that work both for focused listening or simply as background atmospheres for creating a calm and meditative listening environment.

This 3 track album is an 80 minute journey into deep space atmospheric zones. Watch the video above for the track ‘A Softer Indication’.

PLEASE NOTE: this album is sold for personal listening only and does not include a license to use the music in films or videos. If you’re interested in using any of the music from this album in a video or film please contact me to discuss licensing costs with as much info about your project as possible.

Tracklisting: Parallel Ascent (33:08) | Hegira (The Crossing) (33:12) | A Softer Indication (14:33)


This mp3 album is also available from these websites and online stores (including Bandcamp). If you want to use the music in your video please contact me for a license which is only available here at thebluemask.com:

Also available from amazon.comAlso available on iTunesAlso available on Spotify

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A New York Minute Short Film By D-Nice Featuring My Royalty Free Music

This video was shot and edited by talented filmmaker, photographer, musician and veteran of the hip hop scene, D-Nice which uses my royalty free piano track Resolution for the music soundtrack.

Also check out D’s excellent series True Hip Hop Stories (which also features some of my music) on his website at www.d-nice.com

You can buy the piano track Resolution for use in your own film and documentary projects as part of volume one of my royalty free music collection for film and documentary makers. The collection features over 45 minutes of atmospheric piano and ambient music soundtracks with a license to use the music in an unlimited number of projects:

www.thebluemask.com/royalty-free-film-documentary-music-vol-1-piano-atmospheric-beds

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EU VAT Tax Laws 2015 (VATMOSS)

EU VAT tax laws 2015 (VATMOSS)On January 1st 2015 a new European tax law (the snappily-titled “place of supply rules for digital services” aka VATMOSS) was quietly ushered in with virtually nothing in the way of publicity.

Despite apparently having been planned by the EU since 2008, publicity about the change has been virtually non-existent, meaning only a tiny fraction of small businesses affected are even aware of it yet.

The change in law affects the way VAT (Value Added Tax) is applied to sales of digital products to all customers in countries within the European Union. Sounds riveting I know, but please stay with me – it may affect you if you buy music, ebooks, software, apps etc. online!

What’s changed?

In short, the new law says that digital products (e.g. music or spoken word mp3s, ebooks, software, apps, pdfs, craft patterns etc.) sold to customers within the EU must now have VAT added at the rate of the country where the customer normally resides. So if you’re an EU resident, I now have to charge you VAT at your country’s rate and then pay this on to your country’s tax department every quarter.

Previously this would have been taxed at the rate where the business was located. It seems obvious that the primary thinking behind the change was to put a stop to multi-national businesses (such as Apple/Amazon etc.) from setting up headquarters in low-tax countries. In essence this sounds like a good thing, and certainly something I support in principle, especially in light of the recent levels of tax avoidance from big businesses!

But the law has been implemented in such an unworkable one-size-fits-all blanket fashion that it’s penalising and killing the smallest of businesses (often known as micro-businesses and usually run by one or two people on miniscule operating budgets – and yes, this includes me!)

Before you run to get your violins out in mock sympathy, let me explain it isn’t just a case of admin burden in collecting and paying taxes to 28 countries that’s the problem (although that’s certainly another thing to put on the list). If it were simple enough to implement then it wouldn’t be a problem.

But there are no thresholds to differentiate huge multi-nationals between 16 year olds selling mp3s from their bedroom-run websites, pensioners selling knitting pattern pdfs, or 1-man businesses like mine who operate on tiny budgets. We don’t have budgets to pay for accounting departments to monitor and handle multiple tax rates and invoicing or technical teams who can implement geolocation, country-specific websites, EU-specific servers and data management to store the evidence safely for 10 years. If I had the resources of Amazon I’d be more sympathetic!

The law change was apparently supposed to provide “a level playing field” for all businesses yet it’s proving to be unworkable for many who are unable to adapt their systems and keep up with the requirements. There are a huge range of issues that have already forced many micro-businesses to close down for fear of being audited at any time by any one of 28 EU countries who can fine you up to unlimited penalties. Not to mention shouldering the cost of paying for technical solutions to cope with these new demands.

In actual fact, one way to avoid the hassle of collecting VAT is to sell your products through a third-party marketplace (such as… Amazon) so in effect it will drive even more business their way! The level playing field now starts to look more like a monopoly.

What are the problems?

One of the most difficult requirements comes from identifying and proving which country is the customer’s usual place of residence before the sale is processed. As soon as you enter my site I’m supposed to be able to determine where you normally reside, work out the tax rate of your country and apply it to the products you see for sale in my shop (as well as storing all this information for 10 years in case any country’s tax department wishes to investigate me).

Sellers now need to collect 2 pieces of non-conflicting evidence (e.g. your home address, bank address, phone number, computer’s IP address) and check that these match up before allowing the sale to go ahead. So I now have to ask my customers to fill in their address at the checkout when I have no need or wish to ask for this information. Previously you could just enter your name and email and that’s all I needed but now I have to be able to prove which country I make my sales to, so I have to ask for even more info (which in itself will cause customers to drop off at checkout).

It’s common knowledge to most web-literate users that faking your IP address and location with browser plugins or VPNs is easy to do. Sometimes this is done in order to get around country-blocked content, other times for reasons of genuine privacy in a climate of big-brother suspicion. Either way, locating a user by their IP address is not something that can provide any form of accuracy, just a best guess – and anything involving the word ‘guess’ is generally not a good idea for tax purposes! And don’t even begin to try and take into account examples like being on holiday on a train heading from London to Paris using a Spanish-registered credit card…

This law is supposed to be followed by all websites worldwide selling digital product, but many sellers from countries outside the EU have already (and somewhat understandably) said they have no plans to be unpaid tax collectors for foreign countries at their own expense. The problem is that many outside governments have already agreed to this law, so they’re putting themselves at risk. It also puts me at a disadvantage because I’m complying (as best I can) and they aren’t – so my prices are higher to EU customers than others who aren’t going to bother charging tax.

How will it affect you as a customer?

I’ve had to completely update this website to be able to take account of managing tax, so now when you reach the checkout you’ll need to enter your address in order to make a purchase. If you’re an EU customer you’ll also see VAT added at the rate of your country. I apologise that I have to ask for your address details and to add VAT for EU countries. If there was a sensible threshold in place I wouldn’t have to do either of these things (note: sales to UK customers are unaffected and won’t be charged VAT as HMRC are allowing UK businesses to keep our threshold for domestic sales).

One unfortunate side-effect that you might see on other websites is that some businesses are now refusing to sell to anyone in the EU because of the problems it creates for them. If you’re an EU customer trying to buy digital products, you may well find you’ll be blocked at checkout by some companies. This is a ridiculous situation to be in 2015 and puts ecommerce back by about 15 years!

There’s a whole lot more detail as to why this is unworkable and problematic but I’ll stop there and point you to a few links to explain it better. Also, if you’re an EU customer unhappy about the changes, please contact your MPs, MEPs and your government and explain why.

There are many of us micro-businesses who have grouped together to try and get sensible changes put in place using Twitter, Facebook and various petitions. But at the moment the EU commission is refusing to admit there is a problem. Because we’re small operations, there’s little incentive for them to take any notice of us as long as bigger businesses pay their taxes. But without the ability to grow and flourish at small level, many micro-businesses won’t have the room to expand, so the only choices you might end up with are a handful of huge corporations!

Links:

EU VAT Action
http://euvataction.org/

EU VAT Action Facebook Campaign Group
https://www.facebook.com/groups/euvataction/

Definitive Guide To The New EU VAT Rules
http://blog.sitesell.com/2014/12/definitive-guide-new-eu-vat-rules.html

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Special Offer Discount On Royalty Free Music Collections

Royalty Free Music Special OfferI’m currently offering a special offer discount on my Royalty Free Music collections – buy any 2 albums and get the third for free.

My royalty free collections are a pay-once/use-forever deal and can be used in any videos, documentaries, games, trailers, DVDs etc. without having to pay any further license costs or fees.

The music ranges from ambient ethereal space music, dark horror soundscapes, cinematic atmospheric piano and much more. The normal price is £39.99 for each album but you can choose any 3 for just £79.98 (normal price £119.97 – saving £39.99).

You can also buy my entire collection of all 8 Royalty Free albums for £223.92 (normal price £319.92 – saving £96)

To get the discount simply choose any 3 albums from the following link and enter the discount code 3for2RF at the checkout:

http://www.thebluemask.com/music/royalty-free-music/

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Promo Video For Royalty Free Music Collection Vol.5 Cinematic Piano

Royalty Free Music For Documentary & Film Vol.5 (promo video) by Simon Wilkinson

Here’s the promo video for my latest royalty free music collection: Royalty Free Film & Documentary Music Vol. 5: Cinematic Piano. The music collection contains 13 tracks (48 minutes) of dark cinematic and atmospheric royalty free piano music ideal for film and documentary makers.

The music styles range from gentle and melancholy to dark, eerie and dramatic along with some moments of light and reflection. You can buy the music collection as an instant wav or mp3 download from the shop here:

Royalty-Free Film & Documentary Music Vol. 5: Cinematic Piano

Once you’ve purchased the album, you also receive a royalty free license which allows you to use the music in all your films, documentaries, monetised YouTube videos etc. with no further licensing fees (or ‘royalties’) to pay. So you get a lifetime license to keep using the music in unlimited videos.